Love Your Work is the intellectual playground of David Kadavy, bestselling author of three books – including Mind Management, Not Time Management – and former design advisor to Timeful – a Google-acquired productivity app.
David is an underrated writer and thinker. In an age of instant publication, he puts time, effort and great thought into the content and work he shares with the world. —Jeff Goins, bestselling author of Real Artists Don’t Starve
In the midst of the Great Depression, cereal manufacturer Kellogg’s switched to a shorter, six-hour day. This continued a trend that seemed inevitable: people would work less and less. But economic policies, management strategies, and cultural attitudes changed. The story of the rise and fall of Kellogg’s six-hour day is a microcosm of these changes, as well as of our attitudes about the roles of money, leisure, work, and women and men.
Desire paths are trails left on the ground, by anything that frequently travels along a route. There are subcultures fascinated by desire paths as symbols of collective wisdom, disregard for authority, or mere evidence of existence. Desire paths are also celebrated as a design technique. Desire paths in their pure form are about what you can see, but the characteristics of desire paths – which you can’t always see – can help you optimize your life and gain clarity in your creative projects.
The term, “vulnerability” has spread into realms where it’s not an accurate description of what’s going on. The case for being vulnerable often doesn’t make sense. In the creative realm – and possibly in others – we should pursue something beyond vulnerability.
The Prince is a political treatise, written by Niccolò Machiavelli, first distributed in 1513. It’s infamous for its apparent advice to political leaders to lie, murder, and manipulate. It’s still a fascinating read today, and is thought-provoking when considering any context where the true motives of actions may not be what they seem. Here, in my own words, is a summary of Niccoló Machiavelli’s, The Prince.
Which would you rather have? Mild success, or wild success? Most of us would prefer wild success. But we pursue mild success. And you can’t have one when you’re going for the other. keep on reading »
You can’t get through a project on momentum alone. But there are mechanisms you can use to tweak your motivation and make better use of what momentum you have. These motivation mechanisms aren’t one-size-fits-all – you have to choose which ones work for you. keep on reading »
The Network, by Scott Woolley, tells the history of wireless communications, and the stories of the characters that were a part of it. It’s the first book strictly about media history that I’m summarizing and adding to my best media books list. keep on reading »
A creative project is like a halfpipe. The depth of the halfpipe from which you must ascend to finish a project is equal to the height of the optimism that prompted you to begin. But there’s a way to build your project halfpipe so the project itself keeps you moving forward. keep on reading »
The world expects us to be Raphaels, but some of us are Leonardos. Don’t hold your Leonardo mind to Raphael standards, because this Raphael world would be nothing without Leonardo minds. keep on reading »