Love Your Work is the intellectual playground of David Kadavy, bestselling author of three books – including Mind Management, Not Time Management – and former design advisor to Timeful – a Google-acquired productivity app.
David is an underrated writer and thinker. In an age of instant publication, he puts time, effort and great thought into the content and work he shares with the world. —Jeff Goins, bestselling author of Real Artists Don’t Starve
In fifteen years as a self-employed creator, I’ve learned how to finish what matters. I follow a nine-step process that makes an easy-to-remember acronym, that also describes what this process does: E.R.A.S.E. F.E.A.R. keep on reading »
When Facebook was first expanding, they used a timeless military strategy to win their most-crucial first users. You can use this strategy to attack your toughest projects, by leveraging hidden complexity to lend devastating power to simple actions. keep on reading »
Industrial Society and Its Future, is otherwise known as “The Unabomber Manifesto,” written by Ted Kaczynski. Kaczynsnki is a terrorist who killed three people, and injured twenty-three others, by sending bombs through the mail, between 1978 and 1995. He used his terror campaign to exploit the negativity bias of media and pressure the Washington Post and New York Times into publishing his 35,000-word anti-technology manifesto.
There are some invisible structures in language, and using them can be the difference between your message being forgotten or living through the ages. These are The Elements of Eloquence, which is the title of Mark Forsyth’s book. I first picked this up a couple years ago, and have read it several times since then. I think it’s one of the best writing books, and has dramatically improved my writing. Here is my summary of The Elements of Eloquence: Secrets of the Perfect Turn of Phrase.
In Trust Me, I’m Lying, Ryan Holiday reveals the media manipulation tactics he used as Marketing Director of American Apparel, and for his PR clients. Meanwhile, he exposes the inner workings of a modern media machine in which incentives make it impossible for the version of reality depicted in the media to come close to resembling the truth. I think it’s Holiday’s best book, and one of the best media studies books.
It seems even the most devout techno-utopiasts carry around a Moleskine notebook. They appreciate the way writing longhand on paper alters their thought processes. Yet the same people think writing on a typewriter is absurd, performative, pretentious, or a deliberate troll.
There’s a reason the expression, “unfinished business” has such provocative power. Unfinished projects stack up like skeletons in our cluttered mental closets. We know if we crack open that door, we’ll be reminded of our failed intentions, our foolish optimism, and our broken promises – to others and to ourselves.
But unfinished business doesn’t get the credit it deserves. Unfinished projects are a valuable and necessary part of the creative process. They build skills and plant seeds of ideas for future projects. And even when a project seems as if it’s unfinished, sometimes it’s not.